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Similarly, the folk-pop of the OhSees is injected with off-kilter noise and drone that competes with-- and sometimes completely replaces-- the melodies. I admire Dwyer's desire to change it up. It's not unusual for musicians used to playing loud and fast to branch out on their other projects, and it's always interesting to hear an artist use the same skill set with a different set of tools.

But Dwyer's work here is a mess. He relies too heavily on the freak half of freak-folk, burying the songs in grating arrangements and murky production.